The Poem That Found Me When I Had No Words
The Poem That Found Me When I Had No Words
When Language Breaks Down, Poetry Begins
There was a season in my life when I could not explain what was wrong. I would sit across from people who loved me, people who genuinely wanted to help, and I would open my mouth and hear nothing useful come out. The grief I was carrying did not fit into sentences. It did not follow grammar rules or respect the boundaries of a paragraph. It was shapeless, enormous, and completely mine in the most isolating way imaginable.
That was the year poetry saved me. Not poetry as a school assignment. Not poetry as something smart people discussed over coffee. Poetry as oxygen. Poetry as the one language that did not require me to make complete sense in order to be understood.
“Poetry is not a luxury. It is a vital necessity of our existence.” — Audre Lorde
I used to think Audre Lorde was being dramatic when I first encountered that quote. Now I carry it like a small warm stone in my pocket. She was right. She was so completely right.
What Poetry Does That Nothing Else Can
I want to talk honestly about why poetry heals in a way that other forms of writing sometimes cannot, because I think it matters for those of you who are on the edge of trying it and still feel unsure.
Prose asks you to explain. Journaling, as much as I love it and will always love it, often nudges us toward narrative. Toward beginning, middle, and end. Toward making meaning that holds together logically. And sometimes our pain does not hold together logically. Sometimes grief is a Tuesday afternoon and the smell of something cooking and a sudden collapse that makes no rational sense at all.
Poetry gives you permission to stay in the fragment. To let the image speak without forcing it into an argument. A single broken line on a page can hold more truth than three pages of careful explanation, and there is profound relief in discovering that.
The Permission to Be Incomplete
When I wrote my first real poem, the one I wrote for myself rather than for a grade, it was eleven lines long and it did not rhyme and honestly I am not entirely sure it made sense to anyone but me. But writing it felt like setting something heavy down on a table and being allowed to step back and just look at it from a distance for the first time.
That is what I want for you. That distance. That exhale.
You do not need to be a poet to write poetry. This is something I say to every single person who comes through a workshop or reaches out to Ink to Mend feeling intimidated. You need only to be someone who is feeling something, and I have never met a human being who did not qualify.
Starting Where You Are
If you have never written a poem before, or if poetry feels like a locked room you were never given the key to, I want to offer you a few gentle doorways in.
Begin With an Image
Close your eyes and think about something that has been sitting in your chest lately. Now, instead of describing the feeling, describe a physical image that somehow matches it. Maybe your anxiety looks like a jar full of moths. Maybe your longing looks like an empty chair left at a table still set for two. Write down that image. Just that. You have already begun a poem.
Steal a First Line
One of the most beloved practices in poetry communities is what some call “borrowing a first line.” Find a poem you love, use its opening line as your starting point, and write forward from there into your own experience. You are not copying. You are using someone else’s doorway to enter your own house. Many poets do this as a regular practice and the results are always intimate, always surprising.
Write a Letter You Will Never Send
Address it to your grief. Address it to a younger version of yourself. Address it to the version of you who is five years from now, healed in ways you cannot currently imagine. Then, when you have written the letter, go back through it and pull out the lines that feel most alive, most true, most electric. Arrange them. Cut everything else. What remains is your poem.
Reading Poetry as a Healing Practice
I also want to say something about reading poetry, because writing is not the only way in. Sometimes when we are in the deepest part of the dark, we cannot create. We can only receive. And reading a poem that articulates something you have been carrying alone is one of the most quietly profound experiences a human being can have.
“Out of my suffering, I emerged,” a line I return to again and again when I forget that emergence is possible. When I remember that someone else has been in this particular dark and found a way to write their way through it, I feel less alone. I feel, somehow, accompanied.
Keep a poetry collection on your nightstand. Read one poem before you sleep. Read it again in the morning. Notice which lines stay with you, which ones you underline, which ones you find yourself whispering to yourself in the middle of an ordinary day. These are not accidents. These are the poems finding you.
Your Story Deserves This Form
Here at Ink to Mend, we believe deeply that the act of turning pain into language is one of the most courageous and human things any of us can do. Poetry is not the only way to do that, but it is one of the oldest and most generous. It has been used for as long as people have needed to say the unsayable.
Your story is worth that kind of care. Your grief, your joy, your complicated love, your slow recovery, your 3 a.m. thoughts — all of it deserves to be met with a form that does not ask it to be smaller or tidier or easier to digest.
Write the poem. Read the poem. Let the poem find you when you have no other words left. I promise you, it will.
“The world is not a problem to be solved; it is a living being to which we belong.” And poetry, I would add, is how we remember that belonging.
With love and ink,
Hanan